South America Blog
About this blog
Wayne Bernhardson is the author of Moon Handbooks to Buenos Aires, Chile, Argentina, and Patagonia. Here he shares his vast knowledge of South America and its people.
- The Papal Cumbia
- The Uruguayan Sacraments: Tango & Mate
- Taxing the Tourist: Argentina's AFIP Aims Low
- Fortress Falklands: A Book Review
- Pope Argentinus I, The Musical: Ragtime Meets Tango
- Credit Where Credit Is Undue?
- ¿Adios Hugo?
- When "No" Is A Positive
- Chile and Its "Crazies"
- The Oscars: A Post Mortem, So to Speak
- Sacrificing the Atacama? A Chilean View of Dakar
- Chilean Oscar Faceoff? "No" v. "Kon-Tiki"
- Friday Digest: Southern Cone Nuggets
- Dancing in the Mud? The Andean Aftermath
- Floods & Mud: Summer Storms Hit the Andes
Perón Plays Patagonia!
Argentine literary great Jorge Luis Borges, who detested Juan Domingo Perón, famously said that “Peronists are neither good nor bad, but incorrigible.” I generally tend to agree with Borges’ assessment of a political party whose leaders’ motto always seems to be “If you’re not with us, you’re against us,” but at the same time I’ll admit to being impressed with the new Museo de la Familia Perón, which I visited on Thursday, in the Patagonian town of Camarones.
There are, to my knowledge, two other Perón museums in Argentina: at Juan Perón’s birthplace in the Buenos Aires province town of Lobos, and the Museo Evita in the Buenos Aires city neighborhood of Palermo (barely two blocks from our apartment). The former is surprisingly bland, while the latter is an uncritical homage to Perón’s first lady that’s more interesting for its location (a mansion that Evita turned into a home for unwed mothers from the provinces, scandalizing the neighbors in what was then an elite neighborhood but is now more middle-class).
Camarones’ Perón museum occupies a shiny new replica of the caudillo’s boyhood home - his father, Tomás Perón, ran a sheep estancia on the town’s western outskirts in the early years of the 20th century (Juan Domingo Perón was born in 1895). It differs from the other Perón museums not in that it’s professionally organized - so is the Evita museum - but in that it admits that Perón was a controversial and contradictory figure whose loyalists often engaged each other in firefights in the tumultuous 1970s (right- and left-wing factions were each convinced the general was on their side).
While the museum leans toward the interpretations of Argentina’s current left-of-center Peronists, it avoids the polemics so common in Argentine politics. Not only that, the English translations that accompany the exhibits are well above average. For anyone visiting the wildlife routes of coastal Chubut province - Camarones is only a short distance from the Cabo Dos Bahías reserve - the Perón museum deserves a stopover.